Princess Mononoke
Title: Princess Mononoke (もののけ姫 Mononoke-hime)
Genre: Animé, Adventure, Drama, Fantasy
Rating: 4.5/5
Starring: Billy Crudup, Claire Danes
Director: Hayao Miyazaki
Language: Japanese (Dubbed)
This work shows maturity in creation. After watching older films by this same mastermind, I can't help but noticing the progression in his work. Deciding to incorporate computer rendering, even for a few minutes, gave the film a more awe inspiring look. Even if we consider the facial expressions of each character, we'll notice that they're not the typical animation where the face is bland and the mouth opens and closes. Wither it's human, spirit, or beast, the representation was intimidating with its grace and ferocity. We see no romantic or tuned down vision, we see what we get and we get what we see. The wolves give the sharp, ferocious look real life wolves give, the humans have the same expressions any human have in such situations, the old and withering boar being impossible to render in real life, and most of all an element that always keeps on striking me, the forests and grandeur we see of nature. I would need a full, separate review just to describe the magnifying and mesmerizing landscapes of such a masterpiece.
The animation itself isn't the only remarkable aspect of "Princess Mononoke", but also the human side struggles we notice. "Miyazaki" is an intelligent character builder. What we see isn't blunt character representation nor isn't the clichéd "doomed relation that ends well", a matter than "Hollywood" isn't bored of showing us. It's the credibility of the story that makes this film a great experience. Man and nature were harmonious, yet man became greedy, thus the struggle began. Hollywood would have destroyed such a simple theme. Yet such a simple theme goes beyond in the hands of a craftsman. And when we are near the end, after seeing how our two main characters have fallen in love, we see how the grace of the film is preserved. No aspect is fake. "Miyazaki" is a humanist in his work, we'd see he an opposite of a simplistic approach that is usually expected in such films.
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