Ravager
Title: Ravager
Rating: 1.5/5
Genre: Sci-Fi, Horror
Starring: Juliet Landau, Bruce Payne, Yancy Butler
Director: James D. Deck
But let me back up for a moment to explain what it's all about; being a sci-fi flick, the best place to hold it naturally is aboard a space ship. Destined for a backwater world in the middle of nowhere and with a host of passengers including heartbroken frat boy, angry white guy, test tube experiment and the drug addled doctor, they crash land after being in the air 20 minutes and fall flat down into “The Asian Sector.” During the crash they lose almost all power – except for reserves – and break a couple of critical circuit boards when the ships technical officer jumps through them, though fortunately he knows how to repair them. All that he needs is an fictional ore to mine, which just so happens to be a short stroll away from the ship, but as always there's a catch; the planet gets very hot and is subject to earthquakes, but only at inopportune times.
During their midnight stroll in the moonlight, an earthquake occurs, the earth splits and conveniently the technician – of all people – falls down into a man made bunker filled with canisters with biohazard symbols and “RAVAGER” written on the side. Thinking it might be deodorant, he places his cut hand into the middle of the spray from a broken canister and rolls back screaming when he realises it really freakin' burns. Surprisingly, it wasn't deodorant but a biochemical weapon that was hidden in the Asian Sector for a rainy day; a virus so fiendish, it'll make pink stuff come out of your wounds, make your brain haemorrhage, and then turn you into a sort of zombie/vampire cross: slow as a zombie, thirsty as a vampire, intelligence somewhere in between (smart enough to talk, not smart enough to use a weapon). Fortunately for the survivors, he buggers off for most of the film, occasionally jumping in front of people and yelling “boo,” but for the most part letting the remaining crew fix the ship and leave.
It would be easy to pick apart things like the inexperience of the actors involved or the lousy effects, but in truth I was expecting far worse. As mentioned, the character of Sarra (Landau) almost manages to add something interesting in her quest to discover her humanity, but it ends up being little more than some melodramatic babble about compassion and finding as many ways to
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