Grave of the Fireflies
Title: Grave of the Fireflies
Rating: 5/5
Genre: Anime, Drama
Director: Isao Takahata
Language: Japanese
That was the night I died.
From the opening shot of the dying teenager, keeled over in rags and too tired to move from the slump he's sitting in at a busy train station, slowly whithering away into lifelessness, it becomes apparent that this isn't to be an easy journey. Seita is the teenager from this opening shot, and it quickly falls onto him to look after his little sister of about four, Setsuko, when a devastating air raid demolishes his hometown and claims the life of his mother. With his father in the Navy and fighting at sea, he sees little choice but to travel to his Aunt's house, only as he quickly discovers the war has taken its toll on her as well. With rationing already stretched beyond its limits, she becomes bitter at the lack of food to be shared between them all, and following an argument Seita decides to leave for the refuge of the air raid shelter; a small wooden shelter embedded in the side of a cave. Having already sold all their worldly
Almost all films that have an anti-war message in them somewhere show the actual war itself, but Grave of the Fireflies never needs to. When wars are waged people die – that's an inevitability – but the soldiers aren't the only ones who endure hardships, and it is those that are forgotten and left behind that form the core of this film. The families of those affected whether it be simply through rationing of a rapidly diminishing supply of food or through the loss of loved ones, family members going off to war and workers flocking to the factory to support the troops; the cold harshness of their Aunt doesn't feel implausible given her own situation. Not only with teenagers of her own, but struggling to maintain a household's order on limited rations stretched further by the addition of two new mouths she with good conscience can't turn away. And this is the story that is told throughout, a depressing tale given impact by the fact that nothing feels exaggerated, emphasised, or indeed anything other than completely honest. If anything the director should be accused of spending his time struggling to find every drop of happiness that is to be found, squeezing it out and putting on display, framing it for as long as possible on the faces of our two protagonists.
This turbulence of emotions despite the overwhelmingly sad setting and the human manner the two react to their situation is what gives this film it's emotional weight. The fact that Seita isn't some snivelling child but a young man in way out of his depth and doing everything in his power to survive, and that his little four year old sister behaves as you would expect a four year old to, both crying and needing comforting and yet also able to demonstrate a resilience that can surprise you; afraid of her brother leaving her and yet emotionally attached enough to
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