Plaguers
Title: Plaguers
Rating: 3/5
Genre: Sci-Fi/Horror
Starring: Steve Railsback, Alexis Zibolis, Bobby James, Noelle Perris
Director: Brad Sykes
When a ship travelling back to Earth comes across a distress signal, they decide to board looking for survivors. Uncovering four scantily clad women, they do what any heterosexual males would do; invite them aboard, feed them, make them cry and then watch them sleep calling 'dibs' on which one you get to sleep with. Shame they're actually seductive space pirates, albeit perhaps not the most capable pirates, but it isn't long before they take the crew hostage and conquer the ship, discovering a mysterious alien green orb energy source. Taking a good sniff at the green ooze and shoving her pretty face a little too close to it, she soon mutates into a hideous – well, hideous from the neck up at least – mutant zombie, and soon the entire crew, along with the pirates, find themselves needing to work together in order to survive the new menace that threatens their lives.
There's no sex scene, which for a B-Movie (particularly one containing so many 'starlets' to be shamelessly exploited) almost seems like a critical element that's missing, but it never feels like it really needs one. It's pacing is quick enough that you aren't kept waiting too long for things to get interesting, and the cast are introduced quickly enough that you get a basic grasp of who they are and what their job is on the ship before boredom sets in. You've barely matched names to faces before the action gets under way with everything from nonsensical space babble, plot-holes, cat fights, mutant zombies chasing you like they want a hug, laughable CGI work and the mysterious green orb that looked like it was lifted from “Heavy Metal” to the point that I kept expecting it to suddenly start talking, telling people that it's name was Loc-Nar and that it was the sum of all evils.
The only sensible plot points come lifted from 'Alien' (albeit it should be pointed they are ultimately very different films), the acting comes in at about the same grade as that dodgy porno from the 70s with an opening line of “I'm the plumber, you called me about a hole you need to fill,” and the budget does nothing to help matters; the sets looking unanimous and uninspired, the CGI downright atrocious and only the make-up effects go half way to redeeming themselves. But the acting, despite being almost unanimously awful, still allows you to care for
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